No. 3 (2023): RoAct

Articles

• THE CHURCH MUSIC OF HUNGARY’S ROMANIAN MINORITY

  Ion Alexandru Ardereanu (Author)

  9-13

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• THE REPERTOIRE POLICY OF THE DOINA CHORAL CHAPEL IN THE YEARS 1963-1975

  Natalia Blîndu (Author)

  14-22

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• ROMANIAN CHURCH MUSIC FROM BANAT – EVIDENCES FROM THE ARCHIVES

  Adrian Boba (Author)

  23-27

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• STABAT MATER, AN ARCHETYPE OF SUFFERING IN THE EUROPEAN MUSICAL SPACE

  Diana Chirilă (Author)

  28-32

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• THE TEACHING ABOUT DOGMA AND THE MELODIC THINKING OF THE THEOLOGIAN JUSTIN POPOVICI

  Eudjen Činč (Author)

  33-40

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• IACOB MURESIANU. CREATION FOR THE PIANO AND THE ROMANIAN PIANO STYLE

  Silviana Ana Cirdu (Author)

  41-45

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• GENERAL CONCEPTS OF MORPHOGENETIC MUSIC IN AUREL STROE’S MUSICOLOGICAL WRITINGS (II)

  Petruţa-Maria Coroiu (Măniuţ) (Author)

  46-52

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• THE COMPOSER ION VIDU AT 160 YEARS SINCE HIS BIRTH. OPPORTUNITIES TO EXPAND MUSICOLOGICAL AND BIOGRAPHICAL RESEARCH

  Veronica Laura Demenescu (Author)

  53-57

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• NATIONAL AND UNIVERSAL LANDMARKS IN ENESCIAN CHAMBER CREATION WORKS

  Ioana Luminiţa Gorea (Author)

  58-70

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• TWANG VOCAL TECHNIQUE IN UNIVERSAL POP MUSIC. TECHNICAL AND EXPRESSIVE ASPECTS

  Violeta Julea (Author)

  71-79

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• THE ARTISTIC VALORIZATION OF CULTURAL IDENTITY IN THE MUSICAL COME INTO THE LIGHT

  Denis Matei (Author)

  80-82

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• TECHNICAL-INTERPRETIVE HIGHLIGHTS IN THE WORK CANTABILE AND PRESTO FOR FLUTE AND PIANO BY GEORGE ENESCU

  Ariadna Zenaida Mircescu (Author)

  83-91

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• ART AND MUSIC EDUCATION

  Georgiana Iudita Mircescu (Author)

  92-95

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• ROMANIAN LYRICAL CREATIONS OF THE XX-XXI CENTURIES INSPIRED BY THE WORK OF I. L. CARAGIALE

  Marius Nicolae Munteanu (Author)

  96-101

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• ARAD, A MUSICAL FORTRESS

  Silvia Sorina Munteanu (Author)

  102-106

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• HOW DO WE WRITE TODAY? THE LANGUAGE OF THE PRESS. SPECIFICATION, DENIAL, RECTIFICATION, RIGHT OF REPLY

  Carmen Neamţu (Author)

  107-127

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• ANGLICISMS AND SPORTS TERMINOLOGY

  Alina Pădurean, ȚUCUDEAN Maria Alexandra (Author)

  128-135

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• OPERA FOR CHILDREN IN UNIVERSAL CONTEXT AT THE BEGINNING OF THE 20TH CENTURY. Index of representative works

  Ciprian - Catalin Roman (Author)

  136-140

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• MARKERS OF NATIONAL IDENTITY IN THE MINIATURES CYCLE. Memories from the childhood BY VASILE IJAC

  Iulia Roman (Author)

  141-145

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• MUSIC WITHOUT FRONTIERS

  Diana Elena Sârb (Author)

  146-155

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• MEANING AND METAPHOR IN ”ÎN MAREA TRECERE” BY TUDOR JARDA

  Anca Spătar (Author)

  156-164

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• THE MUSICAL DIMENSION IN THE FILMS OF DIRECTOR ION POPESCU GOPO

  Violeta Tipa (Author)

  165-174

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• THE PROBLEM OF ALEXANDR MULEAR'S COMPOSITIONAL CREATION (BASED ON CYCLE SIX MINIATURES FOR VIOLIN AND PIANO)

  Daniela Trocinel (Author)

  175-181

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• MUSICAL ARCHETYPES IN BÉLA BARTÓK'S PROFANE CANTATA (AN ANALYSIS OF THE FIRST PART)

  Alin-Corneliu Văcean, Cristina VĂCEAN (Author)

  182-190

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• THE SITUATION OF CROATIA IN THE CURRENT GEOPOLITICAL CONTEXT

  Florin Trandafir Vasiloni (Author)

  191-201

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• SOUND AND RYTHMIC CONFIGURATIONS OF THE OLTENIAN FOLK DANCES

  Gabriel Zamfir (Author)

  202-207

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