No. 6 (2026): RoAct

Articles

• VOCAL TECHNIQUE AND INTERPRETATION IN GEORGE GERSHWIN’S MUSICALS

  SILVIA ALBU - NAGY (Author)

  9-19

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• FOLKLORE AND MODERNITY IN THE MUSICAL LANGUAGE OF SABIN DRĂGOI’S OPERA NĂPASTA

  ANCUȚA SIMONA SANDU (Author)

  20-32

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• VALORIZING ROMANIAN CULTURAL IDENTITY THROUGH MUSICOLOGICAL DISCOURSE AND INTERDISCIPLINARY REFLECTION: A PERSPECTIVE ON THE INTELLECTUAL LEGACY OF ȘTEFAN ANGI AND PAVEL PUȘCAȘ

  ALIN CORNELIU VĂCEAN (Author)

  33-39

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• THE ARTISTIC RECORD OF THE ROMANIAN SOPRANO MIHAELA MARCU IN THE ITALIAN LYRICAL SPACE

  GABRIELA DIANA MATEI (Author)

  40-45

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• MARIETA GREBENIȘAN – ARTISTIC PORTRAIT

  DIANA BRÎNDUȘA CHIRILĂ (Author)

  46-51

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• THE DEMONISM OF CREATION IN LUCIAN BLAGA’S DRAMATURGY

  VIOLETA SIMONA ZONTE (Author)

  52-58

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• ROMANIAN MUSICAL HERITAGE IN THE CONTEMPORARY DIRECTORIAL VISION. BETWEEN TRADITION AND STAGE REINTERPRETATION

  ANTONIU ZAMFIR (Author)

  59-68

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• PHILOSOPHICAL MOTIFS IN THE DRAMATURGY OF CAMIL PETRESCU

  DENIS GABRIEL MATEI (Author)

  69-75

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• DOUBLE WORLD PREMIERE AT BAD EMS: ROSSINI – ALBUM FRANÇAIS

  ADRIAN CĂLIN BOBA (Author)

  76-81

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• CONTRIBUTIONS TO THE VALORISATION OF ETHNOMUSICOLOGICAL RESEARCH IN ARAD COUNTY: IOAN T. FLOREA

  VERONICA LAURA DEMENESCU, ION ALEXANDRU ARDEREANU (Author)

  82-87

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• TRADITION AND MODERNITY IN THE WORKS OF VASILIJE MOKRANJAC

  VIRĐINIA IBĂNESCU (Author)

  88-95

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• DIODOR NICOARĂ: LANDMARKS OF AN EXCEPTIONAL CHORAL CONDUCTING CAREER

  IULIA ROMAN (Author)

  96-103

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